Middle C

Classical music reviews since 2008
Te Whanganui-a-Tara · Wellington
Wednesday, 4 November 2026

Contributor

Anne French

31 reviews · 30 May 2021 to 4 May 2025

A Trio of International Consequence

The night of the concert was cold and wet. The big southerly storm that hit on Wednesday was still in force, so the small audience in St Andrew’s was disappointing but not surprising. This review is dedicated to everyone who let the…

Up with Bacchus!

If you’ve ever wanted to know what the Tudor Consort sounds like when it’s off the leash, this concert provided the answer. Repast comprised drinks and nibbles for the audience, and bite-sized chunks of mostly early music, some…

Mostly youthful music presented with aplomb by the NZ Trio

This was a distinctly youthful concert. Not because it was packed with music students (although there were a few there amongst the grey heads, chins thoughtfully propped on knees, listening intently), but because most of the music was…

Cantoris’s enterprising coupling of Gounod and CPE Bach

Saint-Saëns thought the St Cecilia Mass was Gounod’s best work. But I’d never heard it before, so I was interested to go along to Cantoris’s first concert for 2024 to hear it. As for the ‘Bach Magnificat’, I was excited to find it wasn’t…

‘I find her becoming’: Nota Bene at 20

Nota Bene Twentieth Anniversary Gala Concert St Andrews on the Terrace, 27 April 2024 What’s the difference between an orchestra and a choir? No, not a trick question. The difference is that choirs usually love their music directors. At…

Bravo NYO!

Friday 30th June 2023 This year’s NYO conductor started playing in the local youth orchestra in Costa Rica, where he grew up, before studying percussion and conducting at a university in Texas. He was an inspired choice for the NYO, given…

Les Voisins – delicious distortions, with swing

Sunday 7 May, 3 pm This was the first concert of Wellington Chamber Music’s 2023 season, and it promises a great season to come. Les Voisins were scheduled to play this concert two years ago, but the performance was interrupted by a…

Magnificent Endurance

Friday 28 April 2023 This was always going to be a big concert, with Shostakovich 10 programmed alongside Bloch’s remarkable work Schelomo . It was also contrabassoonist David Angus’s last concert with the NZSO, after 42 years with the…

Fundamentally thrilling – Orchestra Wellington

Saturday 15th April, 2023 The concert was billed as ‘Fundamental Forces’, but the disparate collection of works confused me. What could a symphony by CPE Bach possibly have to do with an early work based on a ballet by Prokofiev?

The River of Youth – Arohanui Strings and Orchestra Wellington

Saturday, 15th October, 2022 There are two rivers in this programme: the Rhine, for which Schumann’s symphony was named, having been written after the Schumanns moved to Düsseldorf, and the Waimapihi Stream, which runs down Aro Valley…

The stage of the imagination – NZ Opera’s Macbeth

The dark stage is raked up to the left. Not steeply, but enough to throw all the lines and angles off plumb. It is bare and black, with a gauze at the front creating spatial ambiguities.

Towards a new Romantic language

The whole concert took the title ‘Leviathan’, which was, frankly, misleading. Much more than half the concert came from the soundworld of nineteenth-century German romanticism. But still, ‘Leviathan’ was a better marketing pitch. And the…

A state of extreme delight

Sunday 7 August, 2.00 pm This was the third and final concert of the Immerse series, programmed and timed to attract a family audience. And some kids attended, although they were quite hard to spot. It’s not every parent or grand-parent…

NZSO under New management

‘Style and Substance’ – NZSO’s Immerse 2022 Festival Brahms Violin Concerto in D major, Opus 77 Tabea Squire Variations John Adams Doctor Atomic Symphony Hilary Hahn, violin Gemma New. conductor Michael Fowler Centre, Wellington Saturday 6…

The long way to Bohemia

Sunday 19 June 2022 A cold grey afternoon in the middle of winter. But the programme looked interesting: a Czech club sandwich with a slice of Bowater. The New Zealand Chamber Soloists have a history of commissioning new works. The work by…

Rhapsody and Rapture

Brahms wrote his Alto Rhapsody for the wedding of Clara’s third daughter, Julie, in 1869. The second work on the programme was written by Clara Weick, as she then was, between the ages of 13 and 15. And Robert Schumann’s Symphony No 4,…

Late afternoon sunlight

Sunday, 1 May 2022 This was the first concert of a new season for Wellington Chamber Music, and the organisers must have been anxious. The pandemic has changed audiences and the business of giving concerts. Would they come?

Christmas in 1677

Saturday, 18th December, 2021 The Queen’s Closet is an early music ensemble specialising in ‘historically-inspired’ performance of music from the English Restoration (1660-1714, approximately) on period instruments at Baroque pitches. The…

Dolce e misterioso

Nota Bene at the Hilma af Klint Exhibition Wellington City Gallery Saturday 18 December, 11.30 am and 12.15 pm The City Gallery invited Nota Bene to perform a short programme (about 20 minutes of a capella music) to accompany their…

Ludwig is My Darling

Thursday 18 November, 2021 These well-known singers, old friends and opera collagues, are accustomed to presenting a lunchtime concert at this time of year, and the programme was an interesting mix of songs that reflected their tastes and…

What I would take through death’s dark door

Sunday, 14 November 2021 This concert, like its predecessor on Friday 12 November, was delayed by the Covid-19 Level 4/3 restrictions in August and September, and was also displaced from the Hunter Council Chamber to St Peter’s Church. The…

Jade Quartet presents a somewhat “patchworked” concert at St.Andrew’s

Wellington Chamber Music series – Jade Quartet JOSEF HAYDN – ‘Seven Last Words of Our Saviour on the Cross’ Op. 51 (extracts) DAVID HAMILTON – String Quartet No 3, Quartetto Piccolo (2021) PETER ADAMS – ‘Proclamations, Canons and Dances’…

Dazzling star music for “Matariki’ from Gareth Farr

Friday 9 July, 6.30 pm, Michael Fowler Centre A new work by Gareth Farr is always an event, so it was no surprise to see the Michael Fowler Centre completely full. The stage was completely full as well, with an enormous percussion section…